The
following statement was written in March of 2003:
I completed
this painting during this past month of imminent war. The scene is outside
a destroyed Afghani village. The landscape depicted was created with
a digitally modified and enlarged newspaper photo. That it is specifically
Afghanistan is not of paramount importance. That it shows a field of
war, as we have learned to visualize it from newspaper photos or television
images over the past year and a half--that expansive desert landscape
that stretches from Central Asia to the Middle East--is important. That
landscape is embedded in our imagination, and it is there that the drama--or
tragedy--of our current war, and our future, is being played out.
The distressed
looking figure with arms outstretched in supplication speaks to an angry
bat. For me the bat is the madness and fear darkening our world, and
all of its attendant causes and conditions: the impatience with diplomacy,
boundless hatred and fear of enemies, thirst for revenge, the myopia
of fundamentalisms whether of religions, politics, or economics, sanctimonious
bellicosity. The bat is like a compact nuclear missile winging wildly
above the earth, and the kneeling figure is everyone who sees the threat
and despairs.